Monday, July 29, 2013

Why I don’t post on the Taiji Groups




My Teacher can beat up your teacher
If you are not doing X,Y and Z you are not even doing Tai Chi
Tai Chi has a curriculum of skills to be acquired including Fa Jing, Fighting, Internal Power, Spiritual advancement etc. without which the art is empty
This “Traditional” Form is better than that
This system is not traditional, that one is
Spiritual advancement is an emergent property of Taiji
You should bend the back
You should be erect
You should go Low, Slow, Fast, Smoothly and Kick, and Jump,
You should stand on your Left foot for one hour then on your right for 53 minutes, then meditate for 2 hours, then stand like a post for 3 then go too low and then go on Facebook to brag how diligently you are practicing
Length and frequency of practice determines outcome
You need to do the form 10,000 times to get good
No mention of how well you did the form
No mention about the intelligence and understanding of the practice
My No Ego system is better than your No Ego System
Shut up and Go Home
Shut up and I’m going home
No mention of the interesting research methodologies that yield the real results for the serious practitioner.
Yeah, that’s Why I don’t Post on the Tai Chi Groups


First Principles and a Common Language



My point is that looking at the Traditional Chinese concepts necessary to gain Mastery in Taiji from other angles can be illuminating. Even those who are very skilled in reading the classic texts in their native language have differing ideas of what the meaning is. If that was the only path for the Westerner we would be doomed!

There are numerous texts that the serious Taiji student should study and understand; many are written in ancient Chinese or more technically Classical Chinese (gǔ wén).

Some are written in a kind of Literary Chinese (wényán wén) and filled with poetic and prosaic constructions as well. For those who don’t know, this is not like the distinction between Traditional and Simplified Chinese, it’s much more than that. There are many modern Chinese speakers who do not understand the deep meaning of these styles of writing. Some of the best scholars of these dialects like Paul Brennan are not Chinese.

I have said that these concepts of Prima Sapientia may be spoken of in the language of Neuro-Science and Neuro-Physiology without reinventing or watering down the concepts. That is to say that these same ideas may be stated in other terms as it relates to Body Movement and Body Mechanics and the Feeling and Awareness that is associated with movement. That is actually the definition of Neuro-Physiology! It is an obvious modality to talk about internal processes such as Sung and Ting.

Most serious students of Taiji have a deep respect for Chinese culture and the gift of Taiji that it has given the world. Without the study of the Authentic Traditional Taiji and the culture that created Taiji it would be unlikely to progress to the higher levels. The idea that the only way to describe the central and universal concepts of Taiji requires a specific language and that to understand those concepts you need to be a native speaker is silly at best. Nobody can own an idea. Once an idea is at large we may try to describe it in numerous ways.

Taiji requires the Physicality of doing it and feeling it inside but it also includes an intellectual component. We should certainly be able to describe clearly in modern language what the methods and the results of Taiji should be. One must get the balance of those two components right or the work will not bear fruit.


What we are moving towards is a more Universal Understanding of the First Principles and a Common Language.

Thursday, May 9, 2013

Where Did You Come To?



Were you transformed

 

What was the cost

 

What was the pain

 

How did you lose your way

 

How did you find yourself

 

What did you achieve

 

How did your goals change

 

Did you become a better person

 

How do you feel about what has happened

 

Was it worth it

 

What are you working on now

 

What’s next for you

 

How is the road opening up unexpectedly in front of you

 

Where Did You Come To

 

Saturday, March 30, 2013

New and Old Training Methodologies



I am still looking to find Training Methodologies that go beyond Standing, Holding Postures, Doing the Form Repetitively, Push Hands Practice as I know it, etc. all of which do not seem to yield for me the Basic Skills that I would like to acquire.

All Martial Artists use the opponent’s power against them, use their reflexes and timing to dial down strength and speed requirements but Tai Chi is supposed to do something different which is to be able to merely use the surface energetics to trigger those myo-facial, sympathetic and parasympathetic responses or to cause the adrenaline dump shunting off any possible prefrontal cortex activity in the opponent. There is a clear neuro-physiological explanation for the majority of this which often ascribed to etheric effects or hidden behind a cultural barrier.

A runner does not achieve faster times only by visualization and running the course in slow motion, a basketball player or skater or swimmer or diver does not achieve Olympic levels by simply going through their event practice and likewise the Tai Chi player will never achieve mastery by just doing form. There are specific exercises, stretching, conditioning, training and optimization of action, muscle groups, theory and more that are either part of closed door teachings or have recently been scientifically developed.

The idea that Tai Chi players can achieve Forms, Push Hands and Awareness at the Mastery Level by the standard curricula we commonly see just seems wrong. To hide behind pedigree, lineage, secrecy, flowery New Age language, Cultural or Ancient double speak as an alternative to a clear transmission of the structural mechanics just seems wrong when dedicated, earnest students are practicing 3 to 4 hours a day for 10 to 15 years with very modest results and then to say will it take 3 lifetimes and the like is again just not adequate. I know it’s not the same but still in music, dance, visual arts, sports or even in MMA there are standards and accountability for achievement and efficacy of training methods. Bottom Line.

Well Bottom Line I want:

Ø Reflexive control of the partner without “doing techniques” on them

Ø Ability to stay in Taiji against very strong, uncooperative individuals who are not doing Taiji

Ø Ability to yield from any part of the body

Ø Ability to issue from any part of the body

Ø Extremely fast reflexive action (which BTW does not seem to be an emergent property of doing form slowly ;-)

Ø Ability to issue a Classic Taiji Push which from their perspective has no clear Point of Contact and the Partner flies a good distance without having been struck or jarred – Just Sucked in by the Undertow and Accelerated Away

Ø Ability to get a Radar Lock on the partner and see and understand everything in 3D

Ø Ability to Improvise freely with a Partner in Tui Shou / San Shou practice

Ø Ability to catch pushes and strikes like catching a child on a swing and returning the volley

Ø Ability to see inside your own body and Conscious of how it feels

Ø Ability to become Conscious of the process of becoming Conscious

Ø Natural Emergent high level Real Fighting Skills (It seems that in order to achieve these you Must not try to achieve these!)

Ø Beautiful and Graceful Forms practice

I am convinced that there are core curricula preserved from Traditional Methods that I am missing and I am more sure that there are emerging New Training Methodologies that are even better. We have to ask ourselves not what the Ancient Masters did but what would the Ancient Masters have done if they were living in this Age. I am pretty sure it would be a combination of New and Old Training Methodologies.

 

 

 

Friday, March 29, 2013

The Return Home


 

 

You, who are on the Road of Martial Arts have had had an Experience. Sometimes it seems that people will try to steal your experience, will tell you how to tell your story when they weren’t there. This inexorably leads to a combative kind of verbal exchange whenever we try to explore our ideas, assumptions and Ideologies and sort them out for the Better.

 

To those who think this is headed toward Gestalt therapy or something I will steer you back on course. This is basic Humanity. We have all been somewhere and it cost something and we gained something and we lost something and it mattered. It was important. It’s up to those on that Path to take care of each other. We brought such a high standard to it and some of it was met and some of it was not, that is a burden for some and a bitter pill for others. The very fact that is mattered so much is what fuels the endless bickering and perceived disagreements when we discuss our points of view.

 

Nobody is trying to make some rules that bind us here; nobody has taken anything from any of us. Everyone is telling their story and describing the area of the Mountain that they are currently engaged with and that makes us the same, not separate. The world in general requires many competing and Mutually Exclusive theories to describe it and why would the complex world of Taiji be any different? To me the subtext of these little skirmishes is a chance for various folks to step up and describe their field of study with the passion that a tale like this needs to be told.

 

We are all fellow travelers on a Mythic Quest to obtain the Golden Fleece and to make the rarest of all mythic quests - The Return Home.

 

Tuesday, March 26, 2013

What Do You Want From Tai Chi?


It is my belief that in Tai Chi one may declare their specialty and excel in that area to the exclusion of others and still be doing Tai Chi or even achieve Mastery. 

I will declare my major in these areas:

       Aesthetics – the ability to move with graceful and fluid body dynamics that display artistic and emotional content in a Tai Chi Context

       Internal awareness – the ability to feel the inner clock work of the body from the springs to the counter weights to the gears to the wave action and how it feels to feel that.

       Energy – the ability to absorb, transform and retransmit energy from the universe, the earth or a partner

Sensitivity – the ability to monitor action from the gross momentum, force and dynamic to the rarified electrical, magnetic and thought intention associated with movement in myself and in others

Neurodynamics – the process of becoming conscious of formerly autonomic reflexes in my body and the skill of attaching to another person’s movement, timing and reflexes through that system

Martial application – the ability to use the skills mentioned in cooperative play and it’s fine with me if I remain ineffectual in martial situations against a truculent and uncooperative partner or attacker. Actually fighting is not really something I am training for even if it is for some a determinant of doing Real Tai Chi.

Internal energy – the ability to immerse oneself in inner space and also to share that space with a partner and to gain feelings, information and to conduct movement from that space.

Peace of mind – real relaxation that comes from the muscles, tendons, the Myo-Facial Web and the overall state of being; being able to simply wave my hand through the air with no anger, no self-judgment, no tension and an open heart

Health – soundness of body including stamina, strength and longevity.

Wisdom – the acquisition of knowledge from the forms, movements and one’s own body placed into higher service.

These things will not happen by themselves. You must identify and study them individually and it begins with asking - What do you want from Tai Chi?

 

Sunday, March 24, 2013

The Magic

While I don’t dispute that Taiji contains higher level energy that may be classified as paranormal I am most interested currently in exploring the mechanical structures in the body that create the dynamic systems that allow for these energies to manifest.

There are 3 states that interest me from a Taiji perspective; the cognitive state, the fight or flight state and the relaxation response state.

In learning new things we often have to use the Cognitive Mind to listen, observe, read about and think about concepts. By understanding the concepts they become software in the Fight or Flight Body; by doing them slowly and consciously they become firmware in the Relaxation State Body and as that type of movement becomes written to body shape they become hardware in the Physical Body.

Body mechanics require more data than the cognitive mind can keep track of. For this reason many aspects of movement are routed to automatic pilot relying on whatever resident program takes over there. I have found that by slowly and mindfully exploring these sub-routines one at a time it is possible to reprogram and upgrade them. Through the repetition of Forms practice I can write them into Firmware and over time doing these movements with conscious feeling produces changes in the Kung Fu body as they create Hardware. I can now be conscious of experiencing the feeling of these processes in the body without having used up my bandwidth trying to run everything. I can feel more. This makes me way more conscious of the deep body mind and I can see the blocks and trouble spots and start to iron them all out.

Perhaps there are those who develop Skills on the more external Kung Fu level of the applications and by making them reflexive and replacing startle reflexes with these more Martially useful techniques they allow them to become available at the level of the Relaxation Response. I am saying specifically that there may be a Pathway from External training to Internal Training.

It has been said that there are many roads to the mountain top but they are different mountains. Maybe the different mountains are somehow connected. Or is it just that the general knowledge of mountain climbing gained in climbing the external mountain allows a more efficient ascent of the Internal Mountain? The one thing for sure is that the progression through these stages is pretty universal and it is at the very highest levels of the mountain that we find the real art – The Magic.